Entering Someone Else’s Dream: The Science
Jayne Gackenbach, with input from David Kahn,
Stanley Krippner, Anthony Zadra,
Tracey Kahan, and
Curtis Hoffman
IASD
Researchers
Because of the attention brought to dreams through the release of
the film “Inception”, IASD has posted a page talking about dream
“sharing”. While some of our colleagues in IASD believe that one can
to some extent enter the dream of someone else, or “share” a dream,
as dream researchers we take a more conservative perspective. We
thought that it would be useful for this discussion to share our
view.
While it is true that there is considerable anecdotal evidence for
phenomena that may be outside of science's current ability to
explain or measure (psi) associated with dreams, there is in fact
only minimal solid research on the topic. The general area of psi
research is covered in a marvellous talk by prominent psi researcher
Dean Radin to Google a couple of years ago
("Science and the
Taboo of Psi").
In terms of dreams, Stanley Krippner and Montegue Ullman (see
Cardeña,
Lynn & Krippner’s book
Varieties of
anomalous experience: examining the scientific evidence
for a summary) conducted a series of studies on dream telepathy
confirming that it is possible to influence the content of someone
else’s dream. But that does not mean it is possible to influence
someone else’s dream to the degree that is proposed in the film or
that one can “share” a dream.
One
IASD researcher who has been studying psi dreams for decades,
Stanley Krippner, gives the following reaction to the film in the
context of his research into dream telepathy. He writes (personal
communication, July 17, 2010):
For ten years, I was
part of a research team that investigated anomalous effects in
dreams. Neither our work or that of subsequent researchers produced
laboratory data that supported the remarkable effects portrayed in
"Inception." Our research found statistically significant support
for the proposition that dreamers in a laboratory could report
dreams that resembled pictorial material being focused on at a
distance; but the dreamer was aware of the effort and the
"transmitter" did not show up in the dream as an active agent, much
less one who could "steal" a dream or "plant" an idea without the
dreamer's awareness. I think that "Inception" can be appreciated
for its production values and originality, but not as a
representation of the "state of the art" in dream research.
Dream sharing certainly happens in the sense that people who know
each other well and share life experiences may then both dream about
said experiences. That does not mean that they are, in point of
fact, “together” in dream space. They may well be, but we really do
not know at this point. The advantage of anecdotal experiences is
that they serve as a potential source of hypothesis generation. But
the disadvantage of the same anecdotal cases is that they give the
impression of proof, when in fact they are open to various self
report bias’s that psychologists have studied. Radin points to
selective memory, wishful thinking, coincidence, misperception,
embellishment, and mental illness to name a few.
To quote one other IASD
researcher, Anthony Zadra (personal communication, July 17, 2010), “it
is imperative that we separate what is known on an empirical basis,
what may be possible (or impossible) on established or
well-formulated theoretical grounds, and what represents unverified
anecdotal accounts, individual experiences, and mere speculative
opinions.”
Cognitive psychologist, Tracey Kahan,
wrote (personal
communication, July 17, 2010):
I agree with Jayne's concerns,
especially with respect to how IASD balances the presentation of the
empirical / non-empirical approaches to dreaming. I am very
concerned that the impression given by the website is that IASD is a
forum for sharing opinions and personal dreamwork approaches --
rather than (our intended) forum for a PROFESSIONAL foundation that
includes a scientific perspective. With this movie business moving
dreaming into the public awareness, dream science, especially, has a
unique opportunity to contribute to an informed conversation about
what can / cannot be said about dream generation, process, function,
even meaning. If empirical approaches are not distinguished from
personal opinion, we've only regressed [pun intended] in our efforts
to understanding the dreaming process.
Another dream researcher who is an
archaeologist, Curtis Hoffman, reflected on this issue
(personal
communication, July 18, 2010):
In addition to all of the points
made here, with which I agree, there are a number of glaring
misrepresentations of dreaming made in the film which even the most
enthusiastic of mutual dreamers would most likely point out. Most
notably, the issue of logarithmically expanding subjective time
dilation in multi-nested dreams, and the canard that if you die in a
dream you instantly awaken into the next level. (I suppose it's
better than the superstition that if you die in your dream you
actually do die - a point suggested by the film itself in the case
of Sato). I agree with Stan that the film can be enjoyed for its
originality and SFX, and I did like the way the Ariadne character
used active imagination to explore Cobb's complexes. But as an
accurate representation of what can happen in shared dreaming - not
so much!
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